The hare and the hedgehog
… Rosemarie Zens has traveled to China three times, over a period of 20 years. Each time she was in a different country. And on each of these trips she was in different countries. At least that is her impression, and that is also what her photographs in „Moon Rabbit“ convey. She shows a simultaneity of pre-industrial, industrial and post-industrial realities of life. Sometimes in a single photograph. A country so eager for change that hardly anyone can keep up. Where people build something in one place that elsewhere, a few hundred kilometers away, has long been considered obsolet …
Stefan Fischer, in: Süddeutsche Zeitung, July 7, 2021